Eugenia Raskopoulos


Vestiges #1, 2010-2014, digital pigment print on archival paper, 115 x 80 cm. 
Eugenia Raskopoulos website

 

Eveline Kotai


Detour #1, 2013, Mixed Media, 50.5x50.5cm.
Eveline Kotai at Art Collective, Western Australia
 

Hannelore Baron


Untitled, 1980. Wood, fabric, acrylic, and ink. 10 5/8 x 8 1/8 x 2 5/8 inches.
“The solution didn’t come only from my head, it was lived out and worked out. It is a complete thing.”

Hannelore Baron at Pavel Zoubok Gallery


 

Richard Long


Cornwall Spiral, 2012, Cornish China clay on wood panel, 111 x 107 x 1 cm.
Richard Long website

Richard Long on Artsy

Eunyeon Yang


The other side, 2010, mixed media, 464 x 648 cm
 


Eunyeon Yang

 

Per Kirkeby



Per Kirkeby, 11th May to 31th August 2014, Kunsthalle Giessen.
Per Kirkeby Kunsthalle Giessen



 

Simon Hantaï


Simon Hantaï in studio in Paris



Tabula, 1974, 110.7 x 211.8 in., Collection Centre Pompidou, Paris

Simon Hantaï (1922 - 2008) at Paul Kasim Gallery

 

Bret Slater


Beepage, 2014, canvas, fabric, and dental floss over wood, 18.4 x 13.3 x 3.1 cm.
 
 

Jake Walker



Untitled, 2014, acrylic on jute, artist’s earthenware frame, 33.5 × 41cm
 
 

Zin Taylor


Zin Taylor, The story of Stripes and Dots (chapter 1), 2012

 
Zin Taylor, 2013.
 
 
 
 

Stephen B. MacInnis

Long Series #1411, 2013

Stephen B. MacInnis lives and works in Charlottetown, Prince Edward Island, Canada.
 
Stephen records his daily activities as a working artist on the Painter’s Progress
 

 

Jackie Saccoccio


Jackie Saccoccio's work in the Villa Croce Museum in Genoa.
Jackie Saccoccio website

 

Caleb Taylor


Space Gate III - Barrier, 2012, oil and acrylic on canvas, 90"x78"
Caleb Taylor Art




Robert Janitz


Robert Janitz, installation view of 'Shift Stick Heaven'
Robert Janitz
'Shift Stick Heaven'
February 23 to March 23, 2014
Team (gallery inc)
83 Grand Street, New York


'The paintings are evocative of acts specific to manual labor — window washing, spackling, grouting — as they relate to erasure and negation. The artworks call to mind the streaks on a recently cleaned pane of glass, making us aware of a surface meant to be transparent, invisible. Janitz’s painterly gestures have a similar relationship to the picture plane, obscuring it with paint in order to reveal it.'

GalleriesNow.net



 

Afonso Tostes


Afonso Tostes at Casa França-Brasil
Afonso Tostes