Alexandre da Cunha


Monolith II, 2011, plaster and foam, 70 x 50 x 10 cm.


Kentucky Pied, 2012, de Poule II, mop heads, dye, fittings.

 


Louise Gresswell


Untitled, 2016, acrylic, stitch and found zip, 45 x 40 cm.

Melbourne based artist Louise Gresswell originally trained at the Chelsea College of Arts, London. She is currently completing an MFA at RMIT University. In this series she was experimenting with soaked canvas.

Doug Wright

'Veil', recent water colour on paper, 24 x 37.5 cm.



Large recent painting...



'Near Newlyn' 2016, oil on linen 150 x 150 cm.



'Cooling' 2010, encaustic on linen 117 x 92 cm.



Dough Wright.

Doug Wright, b 1944. Former lecturer in painting at the University of Ballarat. A colourist, I often think with a European palette. The work is landscape derived, the best examples having a 'presence' in person. His out put is varied at times but this represents a genuine enquiry into intuitive painting.
'I feel in my work that I struggle to find a correspondence with the world, to put yourself into the greater nature and to engender a sense of being able to empty and fill space. I set about loosing oneself in the process of painting and try to reach a heightened state in search of a different and somewhat profound insight.' Doug Wright, Australian artist.

Mount Eagle Subdivision



The location of Summit Park is where the Heidelberg School (impressionists) lived.
Chiefly Streeton, Roberts and Conder at the beginning.

Outlook Park
 

Open space off The Eyrie


Outlook Drive Reserve


Walter Burley Griffin and his partner Marion Mahony Griffin were two American Chicago based architects of the Prairie School. Both architects worked for Frank Loyd Wright for some years. Together, they won the tender to design Canberra, ACT. In Melbourne, 1915, they designed The Mount Eagle subdivision, now Eaglemont. The street planning followed the undulation of the land and incorporated stone walls and private parkland - a garden design. This is all four communal spaces of the Griffin's subdivision as they are today.


Edna Walling



'Appledore', Eaglemont


Edna Walling



Edna Walling garden 'Appledore', 1936, Eaglemont - one of the few gardens by Walling remaining in the suburb. Walling, a prolific horticulture writer, became one of Victoria's best known landscape artists incorporating local plants and stones into her irregular plantings. 

'Walling began her career in 1919 after graduating from Burnley Horticultural College. She sought to achieve a unity between house and garden, and was influenced by Italian and Spanish gardens in her use of pergolas, walls, steps and paths.' State Library of Victoria.


Napier Waller House


Napier Waller House, Fairy Hills, Ivanhoe.


Interior Napier Waller House


Studio - Mervyn Napier Waller

Art work by Mervyn Napier Waller.


This is Napier Waller House in Fairy Hills, Ivanhoe. The main house was designed and built in 1922 by pre-raphaelite inspired mural and mosaic artist Mervyn Napier Waller, 1893-1972. Waller completed significant murals for State Library of Victoria and Melbourne Town Hall and glass work for the Australian War Memorial. He also became senior art teacher at the then Working Men's College (RMIT University). The house and studio contents are preserved by the heritage council. External shots of the house and studio are used as Dr Blake's House in the TV series The Doctor Blake Mysteries.


Officer House


Officer House, Eaglemont

Yesterday's historic exploration. 'Officer House' 1903, designed by a leading Australian Arts and Crafts architect, Harold Desbrowe Annear. There are three significant properties commissioned by his father-in-law on The Eyrie and Outlook Drive, Eaglemont.

Who's Afraid of Colour



Nonggirrnga Marawilli, 'Lightning in the rock', 2015.




Raelene Kerinauia, Kayimwagakimi Jilamara, 2011.




Muntararr Rosie Williams, Yikartu Bumba, Yimiri, 2009.




Tali Tali Pompey, Para, 2009.




Treahna Hamm, Wollithica Woka (Tribal homelands around Echuca/Moamza), 2013.




Emily Kam Kngwarray, Awely x 6, 1993.



Who's Afraid of Colour, Ian Potter Centre, NGV until April 2017, brings together a group of Indigenous women artists from diverse backgrounds and working locations across Australia.



NGV Collection

Tony Tuckson and Elwyn Lynn paintings, Norma Redpath sculpture.



Hugh Ramsay, 'Portrait of an artist standing before easel' 1901-2.



Clarice Beckett, 'Beach Road after the rain (Street scene)' c1927.



Tom Roberts, 'Harpers Weekly, c1889.


Moments of the ordinary. A few favorites from the Ian Potter Centre for Australian Art.


Ravenswood







'Ravenswood', 1891, Ivanhoe, is an example of 'Renaissance Revival' and was one of the last of the grand boom houses before the 1890s depression. It was acquired 'for the war' in 1945 and then became a nursing home. Now in private hands (1988) the interior has been restored to its original condition, engaging a master painter who worked on the Werribee Mansion.